snow day reflections

We have yet another snow day – this makes 7 or 8 in the last 6 weeks – so I am doing a little bit of reading and planning. I’ve been reflecting on the past couple of months. It seems as though we haven’t progressed very much, what with winter field trips, winter carnival days, special guests, snow days, etc. I always assumed January and February were the months where you could really catch your drive and get lots done becuase there aren’t any major holidays, but this has not been the case for us! However, here are some of the things that my classes have been working on:

Grade 1: We’ve been learning (after much preparation!) to label tah, ti-ti, and just last week – sah. Where I live, kindergarten is not part of the public school system, so students only recieve their first experience with music in grade 1. In September 2011 kindergarten WILL be in our school system. I’m looking forward to that!

Other things we’ve done:

• Poem & Song (with non-pitched percussion instruments & sign language) for Martin Luther King Jr. Day
• Read, “Orchestranimals” by Vlasta Van Kampen & listened to audiobook
• The “Elevator Song” – melody direction (high pitches, low pitches, experiencing major scale aurally & visually w/ boomwhackers, playing pitched instruments)
• Sound story – “The Little Boy Named Espimandos”

Grade 2 – We’ve really been focusing on rhythm reading, writing, and performing – and then we added in solfa on top of that. The kids love it! They take such pride in their compositions!  We’ve also been doing a lot of singing & movement games

Grade 3 – We have been working on a sound story – “The Gingham Dog and the Calico Cat” by Eugene Field. Then, we learned a song based on the story and now we have begun working on an Orff orchestration to accompany the song. We’ve also been learning about the pentatonic scale, and how to set up our xylophones and metallophones into F pentatonic.

Grade 4 – We have been working on an Orff orchestration to “Little Green Bug” from “An Orff Mosaic from Canada” by Lois Birkenshaw-Fleming.  On top of singing this silly song and learning all of the instrument parts that go along with it, we’ve been writing our own silly lyrics based on the original song.

Grade 5 – We began 2009 with a short unit about Franz Liszt. We researched a little about his life, and then we listened to his music. We watched the video, “Liszt’s Rhapsody” – and then we had a lot of fun with Bugs Bunny & Tom and Jerry’s animated versions of the Hungarian Rhapsody.

Then, we reviewed our treble clef note-reading, learned about major scale patterns, and the tonic & dominant notes in C major and F major. We sang, “Chumbara” and “Everybody Loves Saturday Night” and played the I and V chords on Xylophones and keyboards. Now we are moving into playing entire chords with small groups of students.

Grade 6 – We have been working on a “decades of music” unit. We’ve been visiting stations in the music classroom that have been all about music in the 50’s all the way to the music of today. We’ve been to listening stations, watched videos, read articles, played instruments, and visited websites to help us experience each decade.

As I look back, I can see that we have been accomplishing much in the music room – just at a bit of a slower pace than I’d expected. March Break is in 2 weeks – after which our snow days should begin to taper off, and more work can be done! 

Teaching Towards Musical Understanding

Today is the second consecutive “snow day” this week in my area, totalling 4 snow days this month alone.  It’s not surprising – we generally have upwards of 10 snow days in any given winter. The snow days have allowed me many hours in the classroom to plan, organize, and clean. Today, however, I began reading (or rather, re-reading, since this is a text from one of my university courses) “Teaching Towards Musical Understanding” by Amanda Montgomery – a book I mentioned in my last post.

I’ve read through the first three chapters, noting any sections that I found interesting or important. So far nothing is new to me – everything I’ve read is already a part of my teaching. However, it’s good to read it again, and remember why we do certain things, and even realize when we’re not putting enough emphasis or too much emphasis on certain elements.

The following is comprised of bits and pieces of the first three chapters of the book – none of this is my own work, but simply my paraphrase!

In chapter one, Amanda Montgomery defines “musical understanding” in her terms – it is “the ability to think and act musically with personal meaning” (4). This whole text is based around creating opportunities for our students to do just that – think and act musically with personal meaning. This is not something that comes naturally to most children, it has to be taught. To teach musical understanding, we as music educators need to make sure that students are engaged in “active, concrete, authentic experiences”(5) though eight different classroom experiences:

1. Singing
2. Playing Classroom Instruments
3. Improvising
4. Composing
5. Listening
6. Reading music
7. Writing music
8. Moving to music

Not only do children need to experience music in these ways, but they also need to be given the opportunity to reflect on what they have done. The music teacher make time for classroom discussions so that the children can think about and talk about their musical experiences.

In chapter two, Montgomery further discusses the role of the music teacher in helping students make music meaningful. We teach music in a “spiral progression” – we don’t simply teach a concept until it is fully learned, and then move on to a new concept, we are continually introducing and reinforcing concepts all throughout our students’ musical journies. Montgomery says that, “children study progressively more sophisticated musical concepts…of music during each consecutive grade level”(11).

Classroom experiences in music must be developmentally appropriate if we are going to make music meaningful for our students. The same goes for any subject, really. For example, I was at a teacher inservice a few weeks back to look at strategies for French literacy. My students recieve 45 minutes of instruction in French every second day – they are definitely not as proficient as a student in French Immersion, who recieves French instruction for the full day, every day. The books they were showing us at this inservice were for our grade 4, 5, and 6 students. The books were simple enough stories, but the plots were contrived and juvenile – meant for a grade 1 French Immersion student. My upper elementary students will not find any meaning in those books because they are not developmentally appropriate. They are appropriate for their skill level, but not their developmental level.

Montgomery also encourages the “sound-before-symbol” approach to teaching musical elements.  This approach “provides a teaching process by which children experience music aurally, kinestehtically, and orally first, before labelling and reading its symbolic representation” (15). This is something that I’ve been doing with my grade 1 students. Since November, we’ve been thinking of specific words – usually seasonal. First, we just talked about the words, how many “sounds” each word had, putting the words into our hands (clapping), or into non-pitched percussion instruments. Then, we started putting strings of words together, later putting them over marked beat patterns (using hearts). Once we were really good at this, I started writing words on the board and would mark in the “sounds” using dots above the word. Then, after this, we started transforming our dots into “tah” and “titi.” This progressing has been incredible. It’s the first time I’ve ever had the opportunity to teach students from square one, and I would definitely keep with this approach, maybe refine it a little more, but it works!

ok time to take a break…more to come later. 

Curriculum Review

I don’t know if I’ve mentioned this before, but one of my aspirations as a music educator is to one day (in the distant future!) develop, design, and write curriculum or teaching resources to share with other educators. I love research and writing almost as much as I love teaching! I realize that one can never know it all, but I do want to get several years of teaching under my belt before I start seriously pursuing anything of this nature. I’m not sure how many people would be interested in books about teaching written by a twentysomething with less than a year’s experience in the school system

I do, however, believe in starting early! I decided that if I’m going to develop any type of music curriculum or even music education resources, I need to see what is out there first. I need to do my homework. In my reading cue for the next couple of months:

•  ”Teaching Towards Musical Understanding” by Amada Montgomery
• “Play, Sing, and Dance: An Introduction to Orff Schulwerk” by Doug Godkin (I also plan to take some Orff level courses in the near future, they do not offer them very often in my area!)
• Several articles related to different philosophies of Music Education

Any other suggestions?